Esperas en un semáforo mientras comes unas patatas fritas cuando alguien mete la mano en tu bolsa. Lo miras y piensas: «es él, es igual que él, qué emoción si es él, pero no puede ser él». Enton...
Tracing the dual alphabet from its intervention by Carolingian scribes to its rejection by modernist poets and the Bauhaus printers, Edwards shows how Charles Dickens and other nineteenth century writers used the distinction between upper and lower case...
In the decades immediately following the French Revolution, British writers saw the narrative ordering of experience as either superficial, dangerous or impossible. Linking storytelling to other forms of social action, including the making of contracts...